Ebook Free Phormio: A Comedy by Terence, by Elaine M. Coury
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Phormio: A Comedy by Terence, by Elaine M. Coury
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This unique textbook features a reproduction of the Phormio of the Bembinus Manuscript, with each of the 50 pages faced with a description to enable the students to experience the novelty and pleasure of reading a fourth-century manuscript. The text contains an edited version of the play, notes, and vocabulary.
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For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books.
Some of the areas we publish in include:
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Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero
Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace
Greek Mythology
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Slovak Culture And History
- Sales Rank: #2236009 in Books
- Brand: Brand: Bolchazy-Carducci Publishers
- Published on: 1982-06-01
- Original language: English
- Dimensions: 8.50" h x 7.00" w x .75" l,
- Binding: Paperback
- 224 pages
- Used Book in Good Condition
Review
Dr. Elaine M. Coury, Associate Professor of Classics at Newman College, St. Louis, MO (1982), has produced a new textbook, Phormio: A Comedy by Terrence. This textbook is unique in that in it is reproduced the Phormio of the Bembinus Manuscript (Codex Vat. Lat. 3226, folios 53-76). Each of the 50 pages of the Codex is faced with a transcription to enable students to experience the pleasure and the novelty of reading a fourth-century A.D. manuscript. The text also contains an edited version of Phormio, notes, and vocabulary. This text has the potential to revitalize interest in Latin and paleography. --The APA Newsletter
The idea behind this student edition of Phormio and its companion volume is immediately attractive: it places in the hands of undergraduates not only an annotated text but also photographs (of excellent quality) of the oldest manuscript of Terence, the Bembine Codex, along with a transcription thereof, in order to introduce the student not only to one of the liveliest of Terrence's plays but also the study of paleography. The charms of the Phormio are obvious: indeed a third incarnation of the story (via Moliere) was a hit in both London and New York in the 1970s as the Young Vic's Scapino! --Niall W. Slater, The Classical Outlook
The advance publicity sounded too good to be true: an edition of the Phormio, accompanied by a complete reproduction of one of its principal manuscripts. Professor Coury's book, however, turns out to be precisely that, and both she and her publishers are to be warmly congratulated on this imaginative and innovative production.
The fourth/fifth century Codex Bembinus is the earliest extant manuscript of Terence and is generally regarded as the most trustworthy. The Phormio is to be found on folios 53r to 76r, and on the left-hand pages of chapter 1 all 47 leaves are photographically reproduced. The reproduction is actual size, one side of a folio to a page, and its quality is astonishingly good: even the scribe's faint preliminary rulings on the parchment are visible. The method of photography employed has unfortunately not been such as to surmount the problems caused by the transparency of the parchment, and ink showing through from the other side of the folio can sometimes make reading difficult (63v is particularly blurred): but in this respect, as in all others, we are simply experiencing the very difficulties we would encounter if we were face to face with the actual manuscript. On the facing pages of chapter 1 is an exact transcription of the codex, haplographies, dittographies, misspellings, lacunae, and all. In order to make this a more readily understood key to the manuscript, the words of the text are spaced and abbreviations expanded, but otherwise nothing is changed.
Having, thus assisted us towards an initial decipherment of the codex, Professor Coury proceeds in chapter 2 to edit the play. She provides in this section a normalized text, with obvious mis-spellings corrected, missing lines inserted, and so on, all such alterations from the actual reading of the manuscript being clearly indicated by the use of italics and parentheses. In this process of normalization, it is curious that she has retained the confusion in the codex between t and d (e.g. quit for quid, 245, or quod for quot, 454), a feature of early Latin spelling usually edited out. On each facing page are explanatory notes of a fairly basic nature, elucidating grammatical and linguistic difficulties and translating where necessary. Palaeographic information also appears in the notes, with a recommendation to the reader to refer to the manuscript while you are translating the edited version, so that you will become more and more aware of the source of the text, its problems, and its wonder . In providing this combination of codes, transcription, and edited text, Professor Coury is aiming for a more integrated experience , and the opportunity of studying a classical text in this way is surely something which senior school pupils as well as undergraduates will find exciting and illuminating. The attractiveness of this volume for school use is enhanced both by a vocabulary and by a particularly useful and readable introduction which includes a clear and informative beginner s guide to Latin palaeography.
The book is a delightful addition to Terentian scholarship: US Graphics have made a splendid job of its production and Marie Cummings charming little illustrations of scenes from the play are an added bonus. It is to be hoped that similar volumes will follow: those whose palaeographic appetites are whetted by this one may like to know that Professor Coury has also produced for the specialist a fuller and more scholarly study of the Codex Bembinus under the title Terence's Bembine Phormio: A Palaeographic Examination (also published by Bolchazy-Carducci). --Roy Pinkerton, JACT, University of Edinburgh
Language Notes
Text: Latin, English
Most helpful customer reviews
5 of 5 people found the following review helpful.
Discover Ancient Latin Paleography
By nympha marina
There is something mystical and wondrous about ancient writings; perhaps they are tangible evidence that voices from the past continue to speak to us. Allow your students to discover the art of paleography while practicing their Latin linguistic skills with this magical book. It begins with a thorough introduction to the background of Terence and comic playwrights, ancient manuscripts, and ancient styles of writing. The play itself is presented with a good quality photo of the original text from the Codex Bembinus (with original notes in the margins) on the left hand pages with the Latin text transcribed in type on the facing page. At the back there is the complete edited text along with notes and a vocabulary gloss. Reading this play while studying the original manuscript will allow students to gain a deep appreciation, fascination, and understanding of how we preserve history and how we know today what the ancients spoke.
3 of 3 people found the following review helpful.
Elaine M. Coury's commentary on Terence's Phormio
By Eustathios
This is a review of Elaine M. Coury's commentary on Terence's Phormio. Like most Roman Comedies, this play is about overcoming the seemingly insurmountable obstacles that stand between lovelorn young men and the young women whom they love. In this particular drama, the parasite (i.e. the freeloading dinner guest) Phormio takes the lead in setting up the schemes that will allow the adulescens Antipho to marry his penniless beloved without his tightfisted father's consent and that will allow Antipho's cousin Phaedria to acquire the money he needs to buy his beloved from her pimp. The plot undergoes a number of surprising twists after the fathers of these young men become ensnared in Phormio's schemes, and although the means by which Terence contrives the "happy ending" in this play most definitely cross the bounds of plausibility, a willing suspension of disbelief goes a long way towards allowing the most entertaining and interesting aspects of this play to emerge as one reads. In particular, the characters in this play who belong to marginalized groups (i.e. slaves and women) are endowed with an unusual amount of complexity and poignancy for this genre, and at many points Terence seems to be actually attempting to align the audience's sympathy with their point of view, compelling the reader to reflect seriously on the social hierarchies and dynamics at work in the world of this play.
The layout and content of Coury's edition is quite unique for a commentary on an ancient Latin text. Together with the 1055 line Latin text of the Phormio and the commentary (printed on facing pages), this book includes black and white photographs of the entire manuscript of the Phormio in the Codex Bembinus along with a more or less diplomatic transcription of the text on the pages facing the photographs. The edition also includes very basic introductions to Terence, the general features of Roman Comedy and Latin paleography, as well as a glossary of all the Latin vocabulary appearing in the play.
I know of no other book that so vividly and effectively presents to the lay reader the challenges and rewards of reading a medieval manuscript as this one does, but, in the end, I would question whether there is ultimately any difference for the second or third year Latin student in having the almost 100 pages of photographs and transcription provided here rather than, say, 1 or 2 pages of it. The photographs are not great (the scholia, for example, are completely illegible) and the text within them is frequently very difficult to make out, so it seems unlikely that anyone but already very advanced students would go to the trouble of working through more than 1 or 2 pages of the manuscript trying their own hand at paleography. The commentator does in fact note in the commentary where the Latin text she prints differs from the manuscript, so it is possible to keep up a running engagement with the manuscript as one reads through the play, but without the knowledge of the principles of Textual Criticism (the commentator only provides a very general 1 page overview of this) and access to other manuscript readings and conjectures (there is, unfortunately, no apparatus criticus provided in this book), the second or third year reader is left in the dark when it comes to seeing and understanding the precise relationship between the manuscript at the front of the book with the Latin text that has been formatted according to modern conventions at the back of the book. As a tool for teaching students about the general features and problems of medieval Latin manuscripts, then, this book is quite useful, but as a tool for teaching students how to actually use manuscripts, it has definite limitations.
But perhaps the most pressing question for a potential buyer of this book is whether the commentary is useful as an aid to construing and understanding Terence's Latin. For the most part, the answer is yes. The commentary is definitely geared towards a second or third year Latin student and is almost exclusively concerned with grammatical and vocabulary issues. More advanced scholarly issues - questions of staging, parallels with other Terentian or Plautine plays, and metrical and linguistic anomalies - are not discussed (there are, however, a few bibliographic references in the introduction). As I was reading, there were a few places where I might have wished for more grammatical help than was provided, but in general the commentator does a good job of anticipating the reader's difficulties, particularly when it comes to explaining grammatical forms and syntax that are more or less unique to Comedy and would not be covered in first year Latin textbooks. On the whole then, for a self-learner or a second or third year Latin student, this edition is certainly one of the most user friendly and accessible editions of a commentary on a play of Terence available, and the play itself is a remarkably entertaining and thought-provoking literary work that is well worth perusing.
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