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The Epic of Gilgamesh: A Myth Revisited, by Danny P. Jackson
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The longing stretch toward the infinite... the reluctant embrace of the temporal... this is the eternal lot of mankind; this is The Epic of Gilgamesh. Born in the cradle of civilization over 4,000 years ago, literature's first chronicle of man's search for the meaning continues to intrigue us with its universal themes
This book has its provenance in Zeev Raban's fourteen remarkable gouache illustrations of The Epic of Gilgamesh. The artist's family provided us with these previously unpublished and never-before printed works of art. Raban (1890-1970), who was born in Poland, came to Eretz Yisrael in 1912. Well-known for his work on Biblical themes, especially the Song of Songs, he only once embarked upon a project not derived directly FROM Jewish sources. His Gilgamesh represents an attempt to appropriate this ancient myth INTO nascent modern Hebrew culture and its emerging reservoir of visual imagery. Raban learned of Gilgamesh and its charms, and was inspired to illustrate it, through the virtuoso translation by the famous Hebrew poet Saul Tchernichovsky (1875-1943), which first appeared in 1924. Tchernichovsky's mastery of classical poetic forms enabled him to widen the horizons of Hebrew poetry and culture. Through his appropriation of the aesthetic forms and thought-worlds of ancient myths and epics such as Homer's Iliad and Odyssey or the Finnish epic Kalevala, he was able to introduce to the modern Hebrew readership a new appreciation of the mores and ethics of pre-monotheistic traditions.
The English verse rendition of Gilgamesh by Danny P. Jackson, while adopting a contemporary, updated approach, still succeeds in retaining much of its original magic. The poem of the adventures of the Assyrian-Babylonian hero comes FROM the Library of Ashurbanipal of Nineveh. While dating FROM the beginning of the second millennium B.C., The Epic of Gilgamesh remains remarkably in tune with man's modern condition and sensibility. Indeed, Gilgamesh may well be regarded as the first existentialist hero. Thus, we feature here an essay on the psycho-existential dimensions of this ancient-modern hero by David S. Kahn, a clinical psychologist and scholar of myths and creativity. We have also included the personal reading and appreciation by James G. Keenan and the perspective of art historian Gideon Ofrat. These analytic articles are intended to illuminate, elucidate and deepen our intellectual and psychological comprehension of the epic as well as providing the iconographic backdrop for an understanding of Raban's paintings. 'Gilgamesh' is also known as 'He who discovered the source' or 'He who saw it all'. His myth is revisited here through Raban's unique illustrations. This book incorporates an original design that also employs the painter's palette and enlarged details of his paintings as background to the poetic narrative. Word and image now coalesce INTO a seamless whole.
Also available:
The Evolution of the Gilgamesh Epic - ISBN 0865165467
Ancient Epic Poetry: Homer, Apollonius, Virgil With A Chapter On The Gilgamesh Poems - ISBN 0865166072
For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books.
Some of the areas we publish in include:
Selections From The Aeneid
Latin Grammar & Pronunciation
Greek Grammar & Pronunciation
Texts Supporting Wheelock's Latin
Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero
Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace
- Sales Rank: #2994918 in Books
- Published on: 2002-04-01
- Original language: Hebrew
- Number of items: 1
- Dimensions: 13.00" h x 9.00" w x 1.25" l, 3.40 pounds
- Binding: Hardcover
- 192 pages
Review
A young Englishman, George Smith, trained as a bank-note engraver, but immersed in the study of the ancient Assyrians was amazed to find that in translating a clay tablet in the British Museum he had come across the tale of the Great Flood, and the story of the ante-diluvian Akkadian King Gilmamesh. Today, that discovery in the 1870s, fleshed out by the archaeological recovery of more tablets with 'chapters' from the Epic of Gilgamesh, has become one of the cornerstones in the study of 3rd millennium B.C.E. history and society in Akkad and Babylonia.
The Epic was originally written in Sumerian (an unclassified language), and sometime later in Akkadian, a Semitic tongue akin to Hebrew and Arabic. There are many tales of a Great Flood in various parts of the world; it is difficult to say which are indigenous to a locale, and which are derived from other literature. There remains the question whether, as first believed with the discovery of the Assyrian text by Smith, the deluge described in Genesis was derived from a Sumerian-Akkadian source.
Gilgamesh the king and adventurer is, much like England s King Arthur, mainly romantic legend based probably on a real life figure, the heroic Gilgamesh figure ruled the city of Uruk (modern Warka in southern Iraq, the biblical Erech) for 126 years. His adventures carried him far abroad until he gained what he long sought, the one man and his family who alone survived the Great Flood and thus had gained the secret of eternal life. The aura of Gilgamesh survived the millennia, known in classical literature as Gilgamos, King of the Babylonians.
But the power of the story, the all too human passion exposed in this drama, has much to offer a modern audience beyond the halls of academia. Therein lies the rationale for this volume, large in format, rich in design, and handsomely illustrated. Here the poet Danny Jackson provides an eloquent verse translation of the Epic into English accompanying a 1924 Hebrew translation by another poet, Saul Tchernichovsky. Interleaved are evocative illustrations by Zaban, in the dramatic style typical of the Jerusalem Bezalel School that was active in the post World War I era. Both poets and painter must have been attracted by the heroic dimensions and powerful images of the Epic, reminiscent of the massive sculptures and monumental buildings of the Sumerians and Akkadians. Completing the volume are three thoughtful, as well as thought-provoking, essays detailing the psychological impact of the Epic. David S. Han analyzes the adventures of Gilgamesh as a journey of psychological development; James G. Keenan offers a summary appreciation of the Epic; and Sidoon Ofrat focuses on the work of the painter Zaban, suggesting that the Gilgamesh paintings were made in 1954, some thirty years after he had illustrated The Song of Songs (Shir HaShirin.) In all, the uninitiated as well as the scholar is presented with a sumptuous feast of myth, history, human passion, and art.. Rabbi Ernst J. Conrad --Bernard Goldman
Language Notes
Text: English (translation)
From the Publisher
This Deluxe Paperback edition aims to reanimate the story of Gilgamesh and Enkidu for modern readers. The poetic rendition brings words to life in indelible images. A historical and cultural introduction provides the context for the narrative. The result is a new edition that delights, informs and stimulates readers to a new appreciation of this age-old tale. This edition contains extensive resources for the first-time reader: - Introduction by Dr. Robert D. Biggs of The Oriental Institute of the University of Chicago - Highly engaging text that is both lusty and tender - Historical and literary overview - 18 ancient world illustrations and 15 original, 4-color woodcut prints - Glossary with pronunciation key.
Most helpful customer reviews
6 of 8 people found the following review helpful.
The oldest work of literature in recorded history
By Midwest Book Review
The Epic Of Gilgamesh: A Myth Revisited is the oldest work of literature in recorded history and an epic poem which is aptly translated into English by Danny P. Jackson, and into Hebrew by Saul Tchernichovsky. Color illustrations in an impressive mosaic style mark this hardbound, bilingual rendition, and three informative essays about Gilgamesh round out this most impressive volume. An evocative and powerful presentation, The Epic Of Gilgamesh is an enthusiastically recommended addition to any personal, academic or public library collection.
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